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2004 California
Society of Printmakers' 90th Annual Members' Exhibition • 1/06/04
- 1/31/04 Slippage:
Wording the Thought Bubble • 2/05/04 - 3/06/04 Artist in
Residence Open Studio New Music Night: Friday, March 12, 8pm, doors open 7:30 Performance
Night: Saturday, March 13, 8pm, doors open 7:30 New California
Masters • 3/25/04 - 4/17/04 New Music Night: Friday, April 30, 8pm, doors open 7:30 Performance Night: Saturday, May 1, 8pm, doors open 7:30 Blue •
5/06/04 - 6/05/04 Curated Queer
Arts Festival and Exibition • 6/10/04 - 7/10/04 Pacific Rim
Art Now: Japan - USA • 7/15/04 - 8/14/04 artists from Japan: from California: Curated by David Pace, Professor of Photography at Santa Clara University. Final kids
art workshop of the summer - Saturday, August 14: Connecting
to Nature: Art and the Archetypal Symbol • 8/24/04 - 9/18/04 during the
8/27 reception: New Music
Night: Friday, September 24, 8pm, doors open 6:00 Select THIS for direct link to the event info Pacific Art Collective Performance Night: Saturday, September 25, 8pm, doors open 7:30 $10 general, $6 members of works; students with id (no one turned away) members: bring one guest for free! Rainey Straus &
Katherine Isbister SimBee is a live simulated performance created using the Sims—one of the most popular computer games of all time. SimBee explores the digital in relationship to the embodied by catalyzing a meeting between a live audience and virtual characters who live their daily lives in the space of the art gallery. Rainey Straus Rainey received her M.F.A. in Sculpture from the California College of the Arts, and a B.F.A. in Painting from the State University of New York at Purchase. She is also the founder and principal designer of Whirligirl Studio which focuses on web, print and interactive design. Katherine Isbister Isbister received her Ph.D. from Stanford University, with a focus on the design of interactive characters. She has worked in research labs (including a one-year postdoc at NTT in Kyoto, Japan) as well as in commercial design studios. She's the founder of katherine interface, a social and character interface design consultancy. She is currently a researcher for KTH: the Royal Institute of Technology in Stockholm, Sweden, and an Associate Professor at RPI (www.rpi.edu). see: www.Simgallery.net Shannon Knorr I am a body of emotions, words, stories, sounds, images; they are not all mine, yet they are mine. It is a shared body of water. I speak from this place, from a cellular level I try to listen to the stories, to mine that I hold secret, to others that don't have a voice. Stories of separation, from oneself, from one's environment, from each other. The essence of beauty has been lost in so much of this world. I am trying to convey the trueness of beauty, not the idea or concept of beauty. Beauty as an experience. The farther we move away from the trueness of beauty, the farther we move away from our centers, our bodies, our own true beauty. How do we resonate with these imposed ideas of beauty that don't even exist within our bodies. This dissonance creates distance, alienation, from each other, our world and ourselves. The gap between mind and body is widened, swelling like a river, we become lost. I am trying to build a bridge, to cross, connect, to weave. Reclaiming my beauty, womanness, and body in it's flaws, death, unfamiliarity and unknown. Shannon Knorr has a degree in Dance/Movement Therapy with an emphasis in Performance Studies from Naropa University. She is currently working on her MA at JFK University, Berkeley, in Arts and Consciousness. She explores many mediums from poetry, dance, sculpture, and recently video. She is fascinated in the imprints of our culture on our bodies and how it affects our movement, thoughts and beliefs. She is also a student of West African Dance, Butoh, Authentic Movement, Continuum Movement and Gyrotonic, in which she finds fluid, deep communication with the environment and her body. She also performs with Akat, a dance company that combines modern dance with Afro-Brazilian and Indonesian dance, telling stories of creation and of the forgotten. Shannon is a Pilates teacher, where she works with the process of the body unfolding. Working with her clients to help them get deeper in their bodies, as an art, a practice. Letting go of patterns, and unwanted habits, to make space for a more authentic body, true and feeling in it's wholeness. Leah Libow The Mikvah in Jewish culture is a ritual bath for women, taken right after their menses, which provides a connection between the physical Body and the Devine via the acts of cleansing, praying, and submerging the body in water. Leah's ritual performance, "Mikvah," is a reenactment of a dream using the ritual elements of the traditional Mikvah. Currently an MFA candidate at John F. Kennedy University in the Arts and Consciousness Program, Leah Libow is a mixed media artist who uses Still Life, Installation, Drawing, Writing, Video and Performance as a means to communicate her ideas. Her work comes directly from her own personal history - from the matrilineal or 'mother line,' and from her Body as separate and unique from her history and stories. These two paths to her existence cross and diverge often like threads on the hem of a dress. She sees her art making as Ritual for working out the tensions between memory, history and the present moment, and eventually as a way of finding her way back 'Home' to her Body. In her performances she enacts personal rituals, which refer to being a woman in the larger culture, as well as to the traditional and feminine rituals within the Jewish culture. The end result, or residue, of her performances become installation pieces which embody memory, and history, evoke the world of dreams and the unconscious, address issues of the oppressed feminine in the larger culture, and ultimately reference the Body's connection to the Material and Spiritual. Chris Sollars I put myself into public situations using performance-based actions documented in video and resulting in sculptural installations. Pile of Trash uses humor to show how inanimate objects may be more animate than we at first perceive. I am dressed in an outfit that allows me to be mobile pile of trash. Two modes of viewing are involved. First, the action takes place directly in a public space for viewers on the street. The viewer is either oblivious to or startled by the trash, similar to many pedestrians’ relations to discarded homeless people. Video documentation allows for a second place of observation and critique of trash in public space. The movement of the pile of trash is a metaphor for the unrealized amounts of energy involved in the production and disintegration of waste. In my work, I strive to influence people?s perceptions and lead them to question or to rethink their everyday reality. 667Shotwell is the home of artist Chris Sollars. Each month an artist is invited to utilize Chris' living space for a project, which will be made available to the public. The objective is to maintain diversity in selecting the artists and to provide a non-commercial space in which artists may experiment with new mediums to explore alternative ways of reaching an audience. Each project is documented and posted on the web-site: www.667shotwell.com/Projects.html Beginnings
and Endings • 9/28/04 - 10/30/04 New Music Night: Friday, November 5, 8pm, doors open 7:30 Performance Night: Saturday, November 6, 8pm, doors open 7:30 2nd Annual
Youth and Family Art Connection Exhibition • 11/13 PUBLIC ART
MEETING The Annual
Works Benefit Auction • 11/23/04 - 12/4/04 |
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